GILLIAN BURDETT

Orb, 2003.
Laminated glass cut, ground and polished
29cm x 10cm x 15cm

Exploring the semi-precious jewel like qualities, which arise from juxtaposing the two materials of metal and glass, has been an intriguing journey, central to my creative practice as an emerging artist.

Whilst at the University of Wolverhampton (1991-99), I undertook a Research Fellowship and completed a PhD in ‘Electrodepositing Metals onto Glass’ which was supervised by Professor Keith Cummings. This research focused upon identifying and examining simple repeatable versions of the process capable of use by the artist/craftsperson working within the studio environment. A series of samples were also presented which explored the aesthetic and decorative potential of the technique. These highlighted areas for future exploration, and demonstrated a premeditated control over the textural and tactile electrodeposition of metals onto glass.

The aesthetic qualities were then harnessed to produce a number of personal artefacts, and to examine the feasibility of using the procedures identified for studio practice for product development within larger commercial environments. Following my doctorate I was subsequently, awarded an A.H.R.B* funded Post-Doctoral Fellowship (2000-4) which facilitated further research into the application and exploitation of the technique as a structural/joining process within architectural interior environments.

Exploring the unique qualities of glass has given rise to more sculptural forms in my recent work, inspired by a desire to explore the manner in which the transparent, reflective and translucent optical qualities of glass can be used to define a three dimensional volume or impression of space. In the piece entitled ‘Orb’, a shifting dimension is created as the viewer ascends upon and moves around the piece producing a kinetic display of light and motion. Aesthetically this created a light dynamic- an illusionary fourth dimension which in elevating the viewer to another level of consciousness aims to evoke an ethereal and spiritual response. In transcending the physical and material qualities of glass the piece creates the impression of a poetic and metaphysical space.

* Art & Humanities Research Board

Biography pdf

Gillian Burdett filler

Selected Biography

EDUCATION & EMPLOYMENT
2006 - present: Living & working in Rugby, continuing creative practice as a studio artist.
2000 - 2004: Awarded an AHRB Post-Doctoral Fellowship hosted by Wolverhampton University.
1994 - 2004: Visiting / Part-time Lecturer at Wolverhampton University.
1991 - 1999: Research Fellow (& Teaching Assistant) at Wolverhampton University, duly awarded a Ph.D.
1989 - 1992: Freelance Glass Designer, working for Royal Brierley Crystal Ltd., and undertaking private commissions.
1986 - 1989: Study for BA (Hons.) Degree in 3D Design in Glass, Stourbridge College of Art & Technology.