Artists
Brian Blanthorn, UK
Prof. Keith Cummings, UK
Stuart Garfoot, UK
Catherine Hough, UK
Prof. Ronald Pennell, UK
David Reekie, UK
Colin Reid, UK
Jenny Barker, UK
Chris Bird-Jones, UK
Keith Brocklehurst, UK
Dr. Gillian Burdett, UK
Maureen Cahill, Australia
Dr. Vanessa Cutler, UK
Iestyn Davies, Blowzone, UK
Julie Ann Denton, UK
George Elliot, UK
Fang Min, China
Sharon Foley, UK
Qimei Guo (Linda), China
Katy Holford, UK
Ken Howell, UK
Gillies Jones, UK
Xue Lu (Shelly), China
Robert Pratt McMachan, UK
Joanna Manousis, UK
Joanne Newman, UK
Susan Nixon, UK
Liu Peng, China
Gerhard Ribka, Germany
Nicola Schellander, UK
Victoria Scholes, UK
Harry Seager, UK
Elaine Sheldon, UK
Ruth Spaak, UK
Max Stewart, UK
Andrew Wilcox, UK
COLLEGE OF FINE ARTS, SHANGHAI UNIVERSITY
Prof. Wang DaweiAssoc Prof. Xiaowei Zhuang
Shannon Guo
Xiao Tai
Cheng Xiang
TSINGSUA UNIVERSITY, BIEJING
Assoc Prof. Guan DonghaiShi Cheng
Xiong Dudu
Pan Hongfei
Fubiao Li
Li Zhenning
ANDREW WILCOX
Lecturn, 1980
Slumped sheet glass and steel structure
90cm x 90cm x 45cm
The glass designer Andrew Wilcox began as an undergraduate student in Glass at the University of Wolverhampton in the early 1980s after its transference from Stourbridge College.
He saw himself principally as a designer and maker and found support in the newly developing use of flat glass by artist designers like Danny Lane, in the products of the Fiam Glass Company in Italy which specialises in bent glass furniture for interiors, and in the continuing lineage of the sculptural use of flat glass within the work of Harry Seager who was a fine art tutor at Stourbridge College (Glass Routes Exhibition 2008).
In his ideas and work, Wilcox drew on the design language of the steam train, especially the cantilevered suspension systems which visually articulated the structures and strength of this 19th Century industrial machine. He used this inspiration for a simple design, in an industrial architecture and style, for a presentation lecturn which has often been used at the University of Wolverhampton on important formal occasions.
Many students have since followed in this path in design, architecture, interiors and sculptural applications using the industrial float glass to express an idea with both an interdependent sculptural and functional ‘core’ at its heart.
Stuart Garfoot 2008
Biography pdf


